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Twenty-something.
Atlanta. Hedonist.

The views expressed here are my own and do not represent the views of my employers. No one should be held responsible for my stupid thoughts.

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  1. (via Letters of Note: I am a lousy copywriter)
David Ogilvy on his copywriting process. I happen to know that no. 9 is particularly successful.
 
April 19, 1955Dear Mr. Calt:On March 22nd you wrote to me asking for some notes on my work habits as a copywriter. They are appalling, as you are about to see:1. I have never written an advertisement in the office. Too many interruptions. I do all my writing at home. 2. I spend a long time studying the precedents. I look at every advertisement which has appeared for competing products during the past 20 years. 3. I am helpless without research material—and the more “motivational” the better. 4. I write out a definition of the problem and a statement of the purpose which I wish the campaign to achieve. Then I go no further until the statement and its principles have been accepted by the client. 5. Before actually writing the copy, I write down every concievable fact and selling idea. Then I get them organized and relate them to research and the copy platform. 6. Then I write the headline. As a matter of fact I try to write 20 alternative headlines for every advertisement. And I never select the final headline without asking the opinion of other people in the agency. In some cases I seek the help of the research department and get them to do a split-run on a battery of headlines. 7. At this point I can no longer postpone the actual copy. So I go home and sit down at my desk. I find myself entirely without ideas. I get bad-tempered. If my wife comes into the room I growl at her. (This has gotten worse since I gave up smoking.)8. I am terrified of producing a lousy advertisement. This causes me to throw away the first 20 attempts. 9. If all else fails, I drink half a bottle of rum and play a Handel oratorio on the gramophone. This generally produces an uncontrollable gush of copy. 10. The next morning I get up early and edit the gush.11. Then I take the train to New York and my secretary types a draft. (I cannot type, which is very inconvenient.)12. I am a lousy copywriter, but I am a good editor. So I go to work editing my own draft. After four or five editings, it looks good enough to show to the client. If the client changes the copy, I get angry—because I took a lot of trouble writing it, and what I wrote I wrote on purpose. Altogether it is a slow and laborious business. I understand that some copywriters have much greater facility. Yours sincerely, D.O. (via Letters of Note: I am a lousy copywriter)
David Ogilvy on his copywriting process. I happen to know that no. 9 is particularly successful.
 
April 19, 1955Dear Mr. Calt:On March 22nd you wrote to me asking for some notes on my work habits as a copywriter. They are appalling, as you are about to see:1. I have never written an advertisement in the office. Too many interruptions. I do all my writing at home. 2. I spend a long time studying the precedents. I look at every advertisement which has appeared for competing products during the past 20 years. 3. I am helpless without research material—and the more “motivational” the better. 4. I write out a definition of the problem and a statement of the purpose which I wish the campaign to achieve. Then I go no further until the statement and its principles have been accepted by the client. 5. Before actually writing the copy, I write down every concievable fact and selling idea. Then I get them organized and relate them to research and the copy platform. 6. Then I write the headline. As a matter of fact I try to write 20 alternative headlines for every advertisement. And I never select the final headline without asking the opinion of other people in the agency. In some cases I seek the help of the research department and get them to do a split-run on a battery of headlines. 7. At this point I can no longer postpone the actual copy. So I go home and sit down at my desk. I find myself entirely without ideas. I get bad-tempered. If my wife comes into the room I growl at her. (This has gotten worse since I gave up smoking.)8. I am terrified of producing a lousy advertisement. This causes me to throw away the first 20 attempts. 9. If all else fails, I drink half a bottle of rum and play a Handel oratorio on the gramophone. This generally produces an uncontrollable gush of copy. 10. The next morning I get up early and edit the gush.11. Then I take the train to New York and my secretary types a draft. (I cannot type, which is very inconvenient.)12. I am a lousy copywriter, but I am a good editor. So I go to work editing my own draft. After four or five editings, it looks good enough to show to the client. If the client changes the copy, I get angry—because I took a lot of trouble writing it, and what I wrote I wrote on purpose. Altogether it is a slow and laborious business. I understand that some copywriters have much greater facility. Yours sincerely, D.O.
    High Resolution

    (via Letters of Note: I am a lousy copywriter)

    David Ogilvy on his copywriting process. I happen to know that no. 9 is particularly successful.

     

    April 19, 1955

    Dear Mr. Calt:

    On March 22nd you wrote to me asking for some notes on my work habits as a copywriter. They are appalling, as you are about to see:

    1. I have never written an advertisement in the office. Too many interruptions. I do all my writing at home. 

    2. I spend a long time studying the precedents. I look at every advertisement which has appeared for competing products during the past 20 years. 

    3. I am helpless without research material—and the more “motivational” the better. 

    4. I write out a definition of the problem and a statement of the purpose which I wish the campaign to achieve. Then I go no further until the statement and its principles have been accepted by the client. 

    5. Before actually writing the copy, I write down every concievable fact and selling idea. Then I get them organized and relate them to research and the copy platform. 

    6. Then I write the headline. As a matter of fact I try to write 20 alternative headlines for every advertisement. And I never select the final headline without asking the opinion of other people in the agency. In some cases I seek the help of the research department and get them to do a split-run on a battery of headlines. 

    7. At this point I can no longer postpone the actual copy. So I go home and sit down at my desk. I find myself entirely without ideas. I get bad-tempered. If my wife comes into the room I growl at her. (This has gotten worse since I gave up smoking.)

    8. I am terrified of producing a lousy advertisement. This causes me to throw away the first 20 attempts. 

    9. If all else fails, I drink half a bottle of rum and play a Handel oratorio on the gramophone. This generally produces an uncontrollable gush of copy. 

    10. The next morning I get up early and edit the gush.

    11. Then I take the train to New York and my secretary types a draft. (I cannot type, which is very inconvenient.)

    12. I am a lousy copywriter, but I am a good editor. So I go to work editing my own draft. After four or five editings, it looks good enough to show to the client. If the client changes the copy, I get angry—because I took a lot of trouble writing it, and what I wrote I wrote on purpose. 

    Altogether it is a slow and laborious business. I understand that some copywriters have much greater facility. 

    Yours sincerely, 

    D.O.
  2. Show Notes